Archive for the ‘Entertainment’ Category

Not every day that I find two hot pages. And no, these are not ‘those’ type of pages.

Ultrabrown has an awesome retrospective on Padma Lakshmi and then there’s the 2007 Kingfisher Calendar.

Yenjoy!

And please remember to pass on any more links of this kind. Most appreciated!

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It’s not easy to really make money, is it? But some people seem to have an easier time of it than others. But Rs 1.5 lakh per minute? That seems a bit much for even the highest paid execs, eh?

 Not for our own Bollywood siren, though. Through some deft negotiations and timely under-handedness, Mallika Sherawat has (according to “sources”) ensured that this is indeed a rich New Years eve for her reports the Mid-Day.

And the result will be that she would draw Rs 1.5 lakh for every minute she performs at any hotel.

These shows usually last half-an-hour; so on December 31, Mallika will make Rs 1.5 lakh for each minute of work, said a reliable Bollywood source.

Which also implies that she would be performing at more than one hotel. Or is it?

MiD DAY has now learned that she is going to perform for the highest bidder — the JW Marriott at Juhu for a sum of Rs 50 lakh.

Mallika Sherawat What this means is that patrons at the JW Marriott (in Mumbai) would be treated to about 33.33 minutes of Mallika.

Wonder if this includes changes and time lost between dance numbers… And I also wonder how much the entry to the JW would cost on 31st!

Crowd behaviour is also on top of the Hotel’s list as they keep an eye out for how many people get to attend. They sure have learned from their experience, it would seem:

Last year, when Malaika Arora Khan was the star attraction there, the tickets were priced at Rs 5,950. Nuell said ticket prices were raised because the hotel wants a smaller crowd.

“Last year, controlling the crowd was a major issue.

This time, we want less people and more spice at the event. So, we have fixed on a higher price.”

So there… now you know what you need to earn Rs 1.5 lakh per minute. A body like Mallika’s, a total lack of professionalism and a hotel that’s, well, stupid enough to pay this kind of money.

But… can you dance?

TV is dead?

And nobody told me? Did you know this?


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Should all the Kaavya Viswanathan‘s of the world watch out? Big Brother Google is at it again and claims its Book Search project may well spell the end of plagiarism by making book passages and all searchable. Interesting. More about this on SearchEngineWatch.

As the Slate.com reports:

Conveniently enough, a few literary greats have already had their mug shots taken. It’s long been known that Poe plagiarized his first book, a hack project titled The Conchologist’s First Book, and that Herman Melville swiped many technical passages of Moby Dick whole from maritime authors like Henry Cheever. Even more inventively, Lawrence Sterne’s immortal diatribe against plagiarism in Tristram Shandy was itself … plagiarized from Robert Burton’s Anatomy of Melancholy. There have always been a dizzying array of ways that authors can rip each other off, even in reverse: Literary critic Terry Eagleton has written entertainingly of “anti-plagiarism,” a 19th-century literary wheeze favored by Irish critics, who pounced on poets or novelists for plagiarizing or surreptitiously translating some little-known domestic or foreign work and presenting it under their name. The trick was that the “original” work presented by the prosecuting critic was itself a forgery, written after a new work’s publication to frame an enemy.


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Miss GB is Indian

It seems there may have been some controversy about the Miss Great Britain pageant. Indiatimes.com Hindustan Times informs us that Preeti Desai of Indian roots has been chosen to replace Danielle Lloyd who was fired as Miss Great Britain. Interestingly, the official site of the pageant is also asking for information and news items relating to the incident. Hm. Back to Ms Desai, though, who goes on (in true pageant style; pardon the cynicism here) to thank so-and-so for bringing the smile back and the whole nine yards. It is impressive, though, to note the vast ‘talent’ she was chosen from. Oh, and in case you do find more info about the aforementioned Ms Lloyd, do let us know too. We are very interested. Update: From Preeti Desai’s site:

Danielle, 22, was sacked for reportedly dating judge Teddy Sheringham before he voted for her, and for agreeing to pose in Playboy.

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The year of the sequels?

dhoom_2_01.jpg

Never before (and I have no facts, but am reasonably sure of it) have so many sequels been released in the same year in Bollywood before. We’ve seen Krrish (sequel to Koi… Mil Gaya), Lage Raho Munnabhai (Munnabhai MBBS) and coming in November is Dhoom:2 (gee, it’s got a wiki).

And while Krrish did ok and Lage Raho… was a runaway hit, Dhoom:2 promises much more. Dhoom did for Abhishek’s career what Zanjeer did to his daddy’s! It kickstarted it. And AB Jr is still going strong. It also gave Rimii some visibility (while she gave visibility to a lot more 😉), Eesha got herself a career (and looked really good in that bikini) and it also showed us all (for the last time, perhaps) what Uday Chopra looked like without lipstick (remember Neal ‘n Nikki? No. ok).

esha01.jpg

And interestingly, it gave John Abraham a new dimension. Acting. He had hitherto been confined to nonsensical roled where he turned up and played dumb-n-goodlooking. But that can’t take you too far, can it, Mallika? Guess not!

So Dhoom 2 has Bipasha (if not John, his better half; he’s there in spirit!), Aishwarya (hope we can tell her apart from all the plastic bikes), AB Jr, Uday Chopra (sans lipstick) and Hrrithik Roshan (just 2 r’s?).

It looks slick, fast, catchy, and Bips is hot. Sorry Ash… I’m not into plastic. If you enjoyed Dhoom as much as I did (admit it… you did), here’s a peek at the D:2 trailer (oh yes, that’s the way it’ll be known). And honestly, I prefer the Tata Young version of the title song (the karaoke version!).

But speaking of sequels, I hope this one does well like the Munnabhai one, for the base concept is good and the first part was rocking.


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So you like music? The new kinds? The type that makes you move and groove? But have you ever paid attention to its lyrics? Heh. Thought so!

Check it out if one of your fav songs features here. [Worst Lyrics].


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You tell them!

This woman has a way with words. Like she does with moving images. Salaam, Nair!

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Why-dunnit?

We all make mistakes. I also believe that we all are allowed our share of mistakes during our lifetime. We should, hence, err wisely, if I may say so. Therefore, watching 36, China Town would be a mistake 'wasted'. The directors have wasted one themselves!

Before I went for the movie itself, I was sceptical. And I said so. How good can a movie starring Shahid Kapur and Kareena Kapoor be? Obviously, not good at all. The plot is as inane and the acting, as 'hammy' as it can get. Set in Goa (yeah, right), the sets look straight out of the 1980s (remember Rakhwala?) and are tacky at best. Unfortunately, the same has to be said of the acting, direction and the cast.

So Shahid and Kareena want to spend more time together. This is real life we are talking about, by the way! So bam! They Abbas-Mustan to sign them up for this sorry excuse of a movie and spend a cool couple of months together. And get paid for it. Cost me Rs 200 for their vacation!

The story is simple. Isha Koppikar (Sonia Chang; Chang in Goa? Whatever) is the owner of a Casino and has a son who has been kidnapped/missing (this fact is not established as far as I was awake) for a while. She puts newspaper ads with his photo offering a reward of Rs 25 lakh. Shahid Kapur is an actor struggling in Mumbai. That he has a good Rs 10 lakh for a showreel (song happens here, btw) is a mystery deeper than the one the movie actually tackles. Kareena is a girl who has left home to be with her boyfriend in Mumbai and when she says "Let's get married", he coolly tells her to come back with Rs 50-60 lakh so he can start a business and if that is successful, they can marry. Why me?

These two are in a public place and Sonia Chang's son is generally wandering about (clean as any baby you may have ever seen despite crawling about and all) and these two chance upon him and become partners in his return and the prize money. Some nonsensical jokes, introduction of Paresh Rawal (warning: he is seen in only his undies for almost 5 mins in the movie and its not pretty), Johny Lever (ok performance), a half-naked Payal Rohatgi, Tanaz Currim (can't remember her new surname) and Upen Patel (Rocky the playboy. Whooppee!) later, it is time for samosas. Interval, you see.

Upen Patel is so rock solid that there are no expressions on his face. Almost. He does manage to move an eyebrow once in the second half (refer photo).

The point I make is that despite half the movie being over, the story has not moved. So finally, finally… there is a murder. Sonia Chang is killed and burgled. And of course, everyone is a suspect. And then there are twists, turns, alibis, romances and Akshaye Khanna. Why does he do these movies to himself?

The solution is as inane as you could ever imagine. I may as well give it away.

**SPOILER WARNING**

The butlers Mr and Mrs Lobo (I think they were Mr and Mrs) have done it. At this point, the movie seems to go into another realm altogether. Because I have left the theatre. Don't do this to yourself. Go catch Ice Age II again.

And did I mention the music is by Himesh Reshammiya? It's ok. But pretty similar to all his other songs. So if you have heard them once, it's ok. You've heard them all.

(Warning: Long and rambling sorts. Could be termed funny!) 

Earlier, I had written about a really ghastly Radio ad. Now I draw my sword on some pathetic TV spots. Both the ones I shall comment upon have superstars (lots of 'em) but no substance… so here goes:

Pepsi TV
Starring: Shahrukh Khan, Priyanka Chopra, Kareena (same as Kareina) Kapoor and two 1.5l bottles of Pepsi. Support cast unknown.
There was a promo by Frooti about 2 years or so ago about a fictitous character Digen Verma. And it created a helluva lot of hype. Because the ad simply asked "Who is Digen Verma?". The answer was "You". In a strange correlation of sorts, Pepsi TV was also built up similarly with Shahrukh Khan trying to tune his TV to receive "Pepsi TV". Hm. One was compelled to think whether Pepsi has indeed come up with their own channel… but then, the second part of the ad came and completely killed what seemed like an interesting concept.

"Pepsi peete peete jab aap TV dekhte hai, to usse Pepsi TV kehte hai". 

Please. Someone save me. And why did one need Kareena (or is it Kareina) Kapoor (KKappoorr, whatever) and Priyanka Chopra to say this inane line? Logically (nowhere in the picture yet, hence I introduce it!), this would apply to all things. So if you are eating chana and drinking Pepsi while watching TV, it's "Pepsi Chana TV". Pepsi + Rum would make it "Pepsi Rum TV" and so on. You get the drift, right?

And this would also apply to watching TV when say, having tea or scratching yourself or you know, getting cosy with someone. The first two are ok and gross respectively, but the I&B Ministry would never allow the third. For it would be known as "Cosy TV" or "Necking TV" or "Make Out TV" depending on the level of activity you are indulging in.

Now lets bring in a touch of science into this. Hopefully everyone is aware of the law of transitivity (for the non-scientifically-inclined, it says if a = b and b = c, then a = c). Now putting the logic and science to use (they work together so brilliantly, I tell you) we can infer that since Pepsi TV is what you see when drinking Pepsi and watching TV, and Make Out TV is well, you know what, and since that cannot be allowed, Pepsi TV also cannot exist. I wish. I would have been spared the insipid ads at least!

Lux Soap
Starring: Aishwarya Rai (cartoon also her) and three dumb-ass guys. 

Aishwarya Rai just did the rather well-done ad for Coca-Cola (she is doing a better job of it in ads than the movies, eh? Perhaps a return to roots or sorts, what?) and then she agrees to do this: become a nymphomaniacal-looking cartoon superheroine. Who flies around throwing frisbees.

Let's look at it positively, though. As a superheroine, what special powers does she possess? Frisbee throwing is one we know. The other is the ability to bathe (d-uh, this is for a soap) and the third would have to be switch between real and cartoon life at the drop of a soap, oops hat.

Nothing much to write about in the ad and the bottom line is that this is soap she is selling. So it's lavender in colour and makes Aishwarya look thinner and better 'filled up' in all the right areas (controlled environment, you see, in the drawing room). That apart, forget it. I prefer Dettol and Hamam. They are orange and green respectively. Also smell decent and have disinfectants for sure.

They do, right? 

Having truly enjoyed Ice Age (1 as it should be now called), I was really excited to catch the sequel (sure I’m 26, so what?). And I wasn’t entirely disappointed. Which means I was a little bit. More about that later.

The story is simple. There used to be ice. There is global warming. Ice is melting. The ecosystem shall change. Trust the truly creative to make this funny and worth sitting through! Hats off to the team that created this movie. The characters have largely been carried forward from the first part save the addition of a new romantic interest to Manny (Ray Romano), Ellie (Queen Latifah) and her ‘brothers’, Crash and Eddie.

That Ellie (a mammoth) believes she is a possum until Manny convinces her otherwise is perhaps the most hilarious part. Manny, for his part, is by now seriously concerned whether he is the last Mammoth left on earth, a question answered by Ellie’s presence and a large herd at the end of the movie. What happened to them later, is another question.

Most of the other cast play their part including the excellent Sid and Diego who complete this unusual ‘herd’ of a Mammoth, Saber and Sloth. The dialogues are brilliant as is the animation. In fact, it’s beyond excellent. As are the creative ideas for situations.

Take this for example: Scrat is still chasing the elusive nut when he finally gets his hands on it and decides to trek up to a nice icy table land. To achieve this, he uses the nut as a step… screwing it into the ice and climbing on it. Once he reached the top, all the holes he has created to climb up join themselves and a huge fault line is created leading to a huge chasm in the mountain. That it saves the entire animal kingdom from the flood is another issue! But using ‘join the dots’ here was as inspired an idea as I have ever seen.

The one main and perhaps only qualm I have is that there is no real story line taking the movie ahead. At best, this movie is a sequence of small incidents/jokes/situations (like sitcoms) that are strung together. Unlike the first one, this is a little more disjointed and the focus seemed on the characters and their behaviour more than the story. The story almost became secondary (despite the characters shouting it out all along!). This does allow for a lot of questions to be answered like Diego’s fear of water and Sid finding a whole herd of sloth as well… but these happen like incidents that are meant to stand out. Much like a TV series that would solve one issue at a time. They happen serially and not parallely… except maybe once.

Perhaps this is the way the movies appeal to the younger crowd, but one would have wanted more coherence all along.

But hey, there’s no compromise on the entertainment and Rs 100 was more than ‘vasool’. Must watch!
Rating: 3.5 out of 5
Official site

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Jack Dawson is back. Meet him all over again, as he gets ready to explore a new world.

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Right from the time I caught this year’s Filmfare Awards (this is the last time the name is mentioned in the post; also, tacky site, open at own risk) on TV, I was wondering why they look so bad. Then came the Zee Cine Awards on Saturday and my mind was in further turmoil. And then this morning (Mar 6) happened the Academy Awards. Which seemed to be a class apart. Probably because they were.

So what was it that was so desperately lacking in the two Indian functions mentioned? Finesse, for one was non-existent. Look at the Oscars and you see some amount of grandeur. There is a ‘big ticket event’ feel to it. The stage is decorated well and lit very well. There’s no ‘shady’ feeling about it. I have attended one Filmfare function in person and can report that there is nothing to report about. It feels as bad (or as good, depending on which side you are on) as a college annual. The said event was at the MMRDA ground in Mumbai and the entrance to the, well, ground was marked with a black arch. Wow!

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Chocolate Ka Karkhana

Charlie and the Chocolate Factory starring the otherwise splendid (you’ll know why) Johnny Depp is made out to be a children’s film. It is anything but that.

For starters, Willy Wonka’s Wonka chocolates are fabulous. I’m not sure why. The world is in awe of them. For decades, the factory has been shut and now a contest has been announced that would let 5 kids enter the factory for a tour. You know the story… if you don’t… seriously, don’t bother.

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Simi Aunty Is Back

 Simi aunty!

The queen of white is back. And she is as mushy, irritating and outdated as ever. In the presentation of her show anyways!

Last night (Feb 12), the wife and I decided to check out Simi aunty in the latest season of ‘Rendezvous’ and it was about 40 minutes wasted. I do like humor but only when it is intentional. Considering this was the start of a new season (that is another question: when do TV seasons in India start and end?), it was natural to give us a run-through of the last four seasons (and eight years; so she said; go figure).

But more than revisiting the past of the show, it was a journey back in time to production values of pre-1995 India. Shoddy wipes and outrageous background graphics and text… at one point, when showing the types of personalities that have been on her show (politicians, actors, industrialists etc), the sync of the visual and the graphic was totally lost. What was even more amusing was the fact that this could have been rectified in about 3 mins… if someone had noted it, that is.

Anyways… there were testimonials as well going on in the background from people who were as believeable as those who sell the TVC products. Pooja: Model, Jyoti: Fashion Consultant, Some guy: MD and chairman (of what?)… and so on.

Considering the number of people that have been on the show, why not get their testimonials? Or was it “Junta ki awaaz”? Pathetic.

Finally, about 15 mins later, cut to the show. “… and tonight, we have with us, John Abraham”. Picture this: Simi aunty in white. Her set in snow white. John Abraham also in white. Is this a talk show or a funeral?

I will give the lady one thing, though… she asks incisive questions. But the ‘mutual admiration society’ that seems to form on every show with the guest(s) is diabetic. A sincere request: get some colour. Please.

Ik Pair Past Pe Hain…

RANG DE BASANTI 

SPOILER WARNING 

To Ik Pair Future te… isiliye to present pe moot rahe hain hum!

Words of wisdom, it would seem… or just another gimmicky line? Whatever it is, it is a perfect fit in the movie. Rang De Basanti is a movie you should watch. Great characters, terrific music, brilliantly slick and a strong concept.

Along the way, though, one cannot help but feel that a bit of the same-old same-old has crept in. The fight against the machine, the ‘awakening’ of the generation and most revolutionary acts within the movie happen because of a personal loss. This is completely against the parallel concept wherein the revolutionaries take to arms to rise against the general oppression of a people.

Warning again… spoiler ahead. To avoid, go here!

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(Sing that in the tune of the title song of Neal-and-Nikki and then proceed with this panning session of the same movie.)

I love movies. I spend a lot on them. Whether I buy VCDs or go to a theatre, I spend on movies. I have (in my small, insignificant way) contributed to the growth of this ‘industry’. So I guess I should be able to criticise something if I don’t like it, right?

Neal-and-Nikki is a movie (if you can call it that) which is best left for the front-benchers. Here are some of my grouses with it:

  1. Tanisha cannot act
  2. Uday Chopra cannot act
  3. Tanisha is not wearing clothes (and without reason in a movie, this makes it another kind of a movie!)
  4. Uday Chopra is trying to get ‘lucky’. (Why he had to go to Vancouver, Canada for this, I know not)
  5. There seems to be a story missing.
  6. There seems to be a director missing.
  7. There seems to be logic missing.

This apart, it’s a ‘cool’ next-gen “it’s ok to talk about sex openly” new age movie. Whatever that means.

IMHO, don’t watch this movie even if you get free tickets. I can say this because I got free tickets and still walked out after 45 minutes. Not to mention that we reached about half-an-hour late and still had no problem picking up the ‘plot’. I am not even trying to tell you the story. Go find some review somewhere online. After a drive from Lower Parel to Andheri (W) Link Road that took about an hour and a half, I expected better.

What is really worse is Tanishaa doesn’t even look good—with or without clothes! What a waste.

I love watching movies (as is evident from this) but the recent installment of the HP series: Harry Potter and The Goblet of Fire was anything but enjoyable. The primary reason being the choice of theatre.

There is a reason the multiplex revolution has everyone in its grasp… they offer a comfortable viewing experience, complete with good seats, good sound and visual and generally, a good atmosphere. Unfortunately, I saw HP and the GoF at Sterling, one of Mumbai’s grand theatres from yore.

The seats were rickety at best and I was mildly surprised to notice that they did not recline when I did push into them! The second shock was the fact that there was no cupholder for my bottle of water. Time: 9.40 pm. Three hours to go.

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Escapes

The past couple of weeks have been relatively relaxed in terms of workload etc and I have had a fair amount of time on hand to catch up on some much-delayed reading and movies. The reading has already been chronicled but the movies haven’t…

Interestingly, though, my choice of movies was vague at best. I picked up Escape from Sobibor (info about the uprising), Harry Potter and the Sorceror’s Stone, Million Dollar Baby and Schindler’s List. Of this list, I only chose Schindler’s List. The other three were recommended by the wife. That three of these movies have something to with struggle and freedom (from life, oppressors or whatever) have nothing to do with my situation in life!

Of the lot, though, I was truly enchanted (if I could say that) by Escape from Sobibor. For one, it had some fairly intense and believable performances (as did the others, but no one in this movie was a known name) and the whole production looked rather low budget. Again, two of the four were movies inspired by real life incidents and both from the same era – World War II.

Schindler’s list had its length going for it but was not as striking as I imagined it would (or could or should) have been. Yes, it was perhaps Steven Spielberg at his best, but Escape from Sobibor took the cake.

Yes, Million Dollar Baby was a good movie too and deserved all the Oscars it won… I quite liked Morgan Freeman in his role and the guy who played ‘Danger’, the obviously ‘mad’ boxer. But these two WWII flicks were truly great.

For a measly Rs 149, Escape from Sobibor is a great movie to own and one you can watch over and over. One final explanation: I have no clue why I chose two WWII concentration camp-related movies in the same week. Don’t try this at home!!

The Kite Runner

Totally rocks and is a must-read. 

Beg, borrow or steal. But don’t miss.

I Am Shocked!

I have recently been researching on post production and visual effects and the like in movies and what I have found has left me shocked. Needless to say, while movies are dreams on screen, there is no truth to whatever we see.
While this may be good in the case of movies that need effects, there are also movies that employ post prod and VFX for just cleaning up and at times, hiding their mistakes.
I may never enjoy a movie again.

Nach Baliye

I have to admit that I am quite intrigued by this show and over the last couple of weeks, do watch it with unerring regularity. Not really normal for me when it concerns TV shows.
The thing is, this is a chance to see the hitherto typecast TV actors in a totally new light (no allusions to Hindustan Times, please). It is good to see them dress normally and not as dolls dolled (sic) up for a wedding everyday.
Coming to the show and the performances, the chemistry between the older couples (Sachin and Supriya & Archana Puransingh and Parmeet Sethi) is visibly better than that of the younger ones. Of course time plays a part.
I have now seen two consecutive weeks and thankfully the performances on Nov 3 were accompanied by no crying and some rather stern judging (although two teams managed scores of 29 and 30 out of 30). This was the time to seperate the wheat from the chaff.
And I also agree with one of the judges Farhan Akhtar when he says anyone can win. A word of advise for the judges: Being American Idol-esque is fun. Please don’t be Mr and Ms Goody-Two-Shoes.
My money, though, is firmly on the aforementioned older couples. For one, both these couples can shake a leg (or four) and also emote when dancing. As for the others, there are some couples which should dance with a warning that reads: For The Stiff Bodied Only. They are actually worse than I am! Heh!

Lighting Up!

I am talking about Diwali and not of the other ‘lighting up’ which can lead to illusions and hallucinations. Not interested, thank you! But the last week has been quite fabulous. For one, I went off to Pune and turned off my cell phone. I switched off the TV. I closed the room door and opened only one thing… no you perverts, not that. A book! And then another. And another. It was quite riveting. I thoroughly enjoyed lighting up during Diwali. I mean, enlightening up! One of the books I finally managed to read was The Da Vinci Code by Dan Brown. The other I am reading is the Kite Runner by Khaled Hosseini. Both seem to be marvellous books and the time I have spent on this, is perhaps the best I have in almost six months (alone, that is). I am yet to finish Angels and Demons (also by Dan Brown) and Kite Runner, though.
More on that later (regarding why prequels are released as prequels and not the first book).

There are obvious joys in being alone and spending time the way I did, but at the same time, it is also important that one knows the whereabouts of time and not just lie about all day lost in the fabulous world of books. In my quest for solitude, I lost track of all… now I know what the cost of solitude is!

Anyway, wishing everyone a Happy Diwali and a great year ahead.

Bollywood a flop?

Zafar Anjum from Singapore seems to think so in this article. But why is Bollywood a flop? Moreover, he argues that China is a hit… on what grounds? Because Hollywood is investing $150 m in China and nothing in Bollywood… overtly, anyways.
Here are my two bits on the issue:

  • Bollywood doesn't really need Hollywood's approval to become a global force… it already is.
  • But isn't is a force within its diaspora? Largely, yes but I would attribute it to the fact that we make our own movies and have our own song-and-dance style. Western audiences cannot understand this.
  • Despite all the 'globalisation', Indian cinema has maintained its roots and still continues with the same song-and-dance routine and two-and-a-half hour long movies. In some cases, it's even more!
  • China makes 90-minute movies, much like the ones Hollywood churns out. Moreover, their sole identity is their martial arts (correct me if I am wrong here).
  • Piracy is an issue in both countries, but more so in China. In India, theatres are still running to full houses and proof is the number of multiplexes mushrooming at every corner.
  • $150m? Bollywood probably does that in 3 months. Remember, we are comparing with China and not LA.

My final point remains that Bollywood does not require Hollywood's approval. The Chinese have been in the US longer than Indians and hence have become a part of the US culture making it easier for them to tap this potential. In a few years, it will be India's turn and I think, we may even be in a stronger position to benefit more than China will.

Here's something more to make my point:
Amazon.de selling Bollywood Music
Main Hoon Na (or Ich bin immer da) (Amazon.de)
Bollywood Music (Amazon.de)
All Bollywood Products (Amazon.de)
All Bollywood Products (Amazon.co.jp)
All Bollywood Products (Amazon.co.fr)

And I've purposely not included the US, UK, Australia or Canada.

Salman Khan is a heartthrob and an actor I could not care less about. But the fact is he keeps making news and is (infamously) on the front pages.
Take for instance the latest 'tapes' imbroglio or his acccident when he ran over people about three years ago, he continues to be dogged by controversy. The question I have is whether he is a victim of the media and politicos.
Before we go any further, let me clarify that I am NOT a fan and although I have enjoyed some of his movies, I wouldn't always pay good money to watch them.
Coming back to the issue, his accident happened apparently because of his driver's carelessness but because he was sitting in the car, and being as high profile as he is, he became an easy target. That's the theory anyways.
As for his tapes imbroglio, why have they come up after four years? Because the Hindustan Times needed something sensational to create a dhamaka with their first edition in Mumbai. Who better than one of the bad boys on Indian cinema? Why it wasn't Telgi (as Shiv Kumar asks here) is another issue. If the HT could get their hands on this, surely they can also get their hands on the Telgi tapes.
Another theory I just heard (on Go 92.5 to be precise) was that yes, the phone was tapped and it may well have been Salman making all those claims but the reason for tapping the phone was totally different. Apparently, the Police have been doing this for a while now and using such tapped conversations to extort money from the high profile 'tappees', if you will.
Which begs the question "Why doesn't he just name the cops (if any) who may have tried to extort money and put them on the spot?" Two reasons: a) It would mean that the voice is his and that he has indeed made all the claims he has and b) The politicos and top cops would further tighten the noose around him in the hit-and-run case.
A third theory is that this is all politically motivated according to brother Sohail Khan. Sohail had earlier blamed competitors saying this was all vendetta since Salman's new movie was due to release that Friday. Yeah, right!
Also, as some factions of the media and in fact, Police have said, "How much can you believe a drunk man boasting to his girlfriend trying to hold her back?" Good question. But then again, no one just uses such names even in a fight unless there's some substance to it. There's never any smoke without a fire, I say. Now if you are going to prosecute him for something he has done three years ago and only because a newspaper who wanted to make a dhamaka published the story, it's a little 'iffy'.
On the other hand, just because it's three years old does not mean the crime is pardonable today. But first, we need to see proof of the crime. Until then, let's stick to the hit-and-run case!
As for me, I think he's innocent (against my better judgement) and is just plain stupid.
To answer my question, I say probe this and if found guilty, hang him!

Music II

I agree with what tinkerbell has to say and also concede to the fact that perhaps even the 'original' I was referring to may not have been so. But, given the 'clandestine' manner in which she supposes it was done, I beg to differ.
Most of the old songs were 'inspired' (at the risk of using this word!) by folk music or other local art forms of the time and what they did was popularised them using the mass media at their disposal. While the intent may not have been of doing this, it sure served this purpose. Today, by remixing, we are not only not helping local art forms and Indian music (which, by the way, still has plenty to offer) but blatantly and blindly aping the west… has anyone heard the rhythms that are worked in Indian classical or folk music? The latinos would struggle to keep up with it!
So while remixes are popularising older songs, there is no agenda to it and certainly no credit given to the original artistes. Unfortunately, in this regard, they even copied their Indian predecessors who lifted tunes and rhythms from folk music without giving them due credit…

Music

I like all kinds of music… Hindi film, classics, some Indian classical (esp instrumental), Western classical, Rock, some pop but what I hate are remixes of old songs. It's like mistreating an elder in your family. Of late, there are enough available that I think flout all copyright laws… just because someone else is singing it with added percussion should not qualify it as a new song.
What's worse, the very industry that's fighting piracy is supporting it by doing this. A case of cannibalism? Clearly.
Why then, do these guys indulge in this? My thought is they have run out of original stuff! Some of the guys that can do some original work are happier working in films making money when they can. Even if they try to do some original non-film work, they don't get the kind of support or exposure a film can get them. Economics rules this, nothing else. By now you would like to know the purpose of this post… I was shopping for some music the other day and came across this MP3 CD that had some really good old songs and without checking for any of the abovementioned details, purchsed it. Much to my dismay, the moment I played it, Kishore Kumar and Lata Mangeshkars voices had changed dramatically! Worse still, their talent had waned! Please, someone, please put an end to this!